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Refresh rates you can't see, megapixels you can't use, resolution you can't afford to fill. We hit the studios of London and Manchester to find out which numbers on the box actually matter — and which are pure theatre.
Your beautifully crafted portfolio might be arriving at clients' screens looking like a faxed photocopy. We speak to designers and developers about the 'invisible downgrade' — and why your London fibre connection is lying to you.
Every studio in Britain has it: a wobbly monitor arm, a tablet held together with gaffer tape and hope. We asked UK creatives why the knackered kit never leaves the building — and why it probably never will.